Textures!
An in-class exercise. Wouldn’t really call it that successful but hey, it was fun to do!
An in-class exercise. Wouldn’t really call it that successful but hey, it was fun to do!
So hey I was putting this off until I got a chance to write a bit about it and then I remembered I liberated myself from having to write things to go with my posts. But now oops I’m writing something to go with this post.
What on earth possessed me to put the horizon line on a slant? It just looks rather odd.
Anyone know whether it’s possible to mark points outside the drawing area in Photoshop? I had to work on the image quite small as I was concerned about memory and wanted my vanishing points to remain visible. I ended up using grid lines to mark my vanishing points but because I had the canvas on a rotation it was quite awkward.
Obviously the answer is just that I should have a perfectly horizontal horizon line…
Anyway, here’s the draft. Might go back again and rethink yet…
Y’know I think I’ve attempted something like this a few times before but this time I was a bit more persistent and I’m pleased with the result so far.
Here’s the “thumbnail”.
Next: to work out the background! While I’m in a persistent mood I’ll tackle that important element I always avoid…
Here’s the finished-for-now Juri:
Kind of hurried it towards the end, I always have a tendency to do that! I’ll probably have a few more tweaks to make later, but I think I ought to get my ideas moving for my next picture.
On my monitor this looks more subdued and less pink than it does in real life. I will have to play around with the colour balance in Photoshop and check it out on some other monitors… I’ll probably also do some other digital tweaks like clean up the fuzzy edges of the circles. I’ll learn to paint more tidily with practice, I swear!
This was why I was redrawing the image with pencils – it’s going to be a watercolour painting. Here’s most of the flat colours down and some areas in a near complete state – I will probably leave those until the image is closer to completion. Uncompleted bits include most of the purples and pinks. These will get deepened with progressive layers of pigment. I’ve also yet to start trying to detail her face.
It’s kind of interesting to note that when I work digitally I feel as though I should start the image with some pencil scratchings to get into the groove. Similarly, when I want to do a painting or drawing I often want to play around digitally to get a feel for the image. Really I think it’s all about finding a happy medium 🙂
Wait, pencils now? What’s going on here?
One from a series of images.
This morning I was hurrying to my bus stop via a narrow alley when I was quite shocked to realise there was something very big and very black sitting on the fence next to me. A huge, fluffed up crow.
But maybe it wasn’t that huge, maybe it just seemed that way because it was above me, or because it was all fluffed up. At work today I drafted the below two pictures, playing with two different view points.
I didn’t have time to finish the second one before my lunch break ended, but I also thought I could handle a lower view better. So I redid it when I finished work.
I think I like the expression in the first one a bit better. I also lost the shape of the bird when I inked it (It was a bit sleeker and I kinda wanted it to hint at the silhouette of a falcon because at one point when I looked at the crow I thought it was a member of the falco family!)
The damn bird was at my bus stop again when I got home this evening. It flew around lazily, taunting me as I scurried to my car…
Maybe this will become a fully fledged picture?
The goal here was to have some interesting action with the character but to not lead the viewer’s eye ‘out’ of the image, rather, have their eye land back in the focal points of the image.
To be honest, I like the way that outstretched leg looks… even though it leads the eye out of the picture frame. I had experimented with tipping her toes to bring the flow of the image back towards the middle but that made the foot look a little odd. So, forcing the viewer’s eye back onto the image might not be the right approach. What do you think?