WIP
Yu Long’s Transformation
In the famous Monkey story, the Monk spends most of his time travelling on a white (okay, grey for you horse enthusiasts) horse. This horse was actually a dragon – Yu Long, the third son of the Dragon King of the West. He was sentenced to death for burning his father’s pearl and saved by the Goddess of Mercy in order to fulfil the role of the Monk’s steed. (Which was actually quite unnecessary until he accidentally ate the Monk’s horse on their first encounter).
Anyhow, Yu Long then earns a bit of a beating from Monkey and joins the group, after which he spends most of his time stuck as a horse and devoid of personality. I’ve always held an interest in the White Dragon Horse. There’s such potential there that I’d love to see explored. I think in the original story he only gets a couple of opportunities to shed the horse disguise during crises and although he gets to pull some neat tricks I don’t think he actually has much success with his contributions.
Now that you know all about him, maybe you’ve got an idea of why I wanted to draw him.
The latter stages of thumbnailing:
And a more developed sketch. I wanted to add more things to hint at his involvement in the story (however limited that involvement was). The orb in the sky with his tail wrapped around it is supposed to represent the great pearl. I was thinking of putting in some birds to represent where he was found (Eagle Sorrow River), and his brief stint disguised as a princess during which he sang and sword danced for the amusement of a demon lord (and as an attempt to assassinate him). However I think the top left where I’d planned to put them is better left open.
You Promised Me Wings
Y’know I think I’ve attempted something like this a few times before but this time I was a bit more persistent and I’m pleased with the result so far.
Here’s the “thumbnail”.
Next: to work out the background! While I’m in a persistent mood I’ll tackle that important element I always avoid…
Juri, continued…
This was why I was redrawing the image with pencils – it’s going to be a watercolour painting. Here’s most of the flat colours down and some areas in a near complete state – I will probably leave those until the image is closer to completion. Uncompleted bits include most of the purples and pinks. These will get deepened with progressive layers of pigment. I’ve also yet to start trying to detail her face.
It’s kind of interesting to note that when I work digitally I feel as though I should start the image with some pencil scratchings to get into the groove. Similarly, when I want to do a painting or drawing I often want to play around digitally to get a feel for the image. Really I think it’s all about finding a happy medium 🙂
Pencils
Wait, pencils now? What’s going on here?
A Compositional Sketch
Maybe this will become a fully fledged picture?
The goal here was to have some interesting action with the character but to not lead the viewer’s eye ‘out’ of the image, rather, have their eye land back in the focal points of the image.
To be honest, I like the way that outstretched leg looks… even though it leads the eye out of the picture frame. I had experimented with tipping her toes to bring the flow of the image back towards the middle but that made the foot look a little odd. So, forcing the viewer’s eye back onto the image might not be the right approach. What do you think?
Pink
Character development and design:
EDIT: Very first draft added.
I wanted to make her a blonde bimbo but apparently being cliche is dull.
Missing one image here actually, I’ll edit it in later if I can find it.
Ducks in Progress
Trying out some new watercolour paper – Rains by Montval, I think it was…
Reference found via Google Image Search.